Archive for the ‘Marvelous Writings’ category


SoulTrain.com Q&A – Adrian Younge

Producer, composer and now label owner Adrian Younge is almost an anomaly in contemporary music. Having a breakout year in 2009 thanks to his work on theBlack Dynamite soundtrack, Younge eventually became the go-to producer for anything involving vintage soul. That includes collaborative projects with everyone ranging from The Delfonics to Ghostface Killah.

As head of Linear Labs Records, Younge is preparing the release of Souls of Mischief’s sixth studio album, There Is Only Now. Set to drop Aug. 26, the project will include guest appearances from Snoop Dogg and Busta Rhymes.

Speaking with SoulTrain.com, the reigning champion of analogue discusses his handcrafted approach to music recording, sequel to Twelve Reasons To Die, future collaborative projects and among others.

SoulTrain.com: Talk about the inception of Linear Labs Records. Was it a difficult transition from artist to label owner?

Adrian Younge: It was always one of my dreams to own a label and I’m just humble that I’m finally here and able to really do it. I’ve learned so much from working with Wax Poetics and Rza, that I feel like I’m finally at that point with myself. As far as Linear Labs, I basically wanted to create a label that spoke to consumers that appreciate handcrafted products. I want my music to be deemed as handcrafted artist and produced music, a kind of bespoke perspective on the creation of this kind of art. So basically, my label is essentially founded upon the music I do. I want people to understand the level of quality they’re going to receive when they see the Linear Labs logo or hear music from us. I want to be a modern Motown, but not the Motown of the ‘60s; I want to be the Motown of the ‘70s when they were a little bit more cutting edge. That’s basically what I’m looking at and I’m just happy that Souls of Mischief’s album is going to be the label’s first release.

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2014 Vocal Bootcamp Promo from Nick Cooper on Vimeo.

SoulTrain Q&A – Nick Cooper

How does one turn down an opportunity to work on tour with Nicki Minaj and Jennifer Lopez to become the creative director for a television show in China? When you’re acclaimed vocal coach, producer, motivational speaker and entrepreneur Nicholas Cooper, the answer is simple. “You say ‘no’ by looking toward the future,” he says. “Do I stick with someone who already has a career, or do I fortify the career I think I’m going to have?” Such a statement makes sense knowing the storied history of one of the go-to guys within the music industry. For the past few of decades, Cooper has been taking perfectly executed risks as well as breaking many glass ceilings. Before turning 18-years-old, he sang for President Ronald Reagan, appeared on television and landed his first Broadway gig.

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HipHopDX Interview – Steve Rifkind

The past few decades have been quite kind to legendary music executive Steve Rifkind. Since the early days of working with his father Jules Rifkind at Spring Records, Steve has always had a special ear for the best urban music had to offer. Growing-up during Hip Hop’s early ages, it made perfect sense for him to use firsthand knowledge in forming his own label. With Loud Records, Rifkind became one of the many key figures in changing the culture’s business and creative trajectory.

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SoulTrain.com Profile – Tiffany Gouché

“I’m feeling fantastic today,” says Inglewood, California native Tiffany Gouché as she prepares for her set at Los Angeles’ Lyric Theater during a sit-down withSoulTrain.com next door inside Voila! Gallery. And emotions should be overwhelmingly positive. It’s been only a day since Gouché released her debut EPFantasy in late July, and the audience is peaking with anticipation before the performance considering that she’s dropped one of the best alternative R&B/soul projects one will undoubtedly hear all year. But there’s more however with Gouché’s already impressive writing and producing credits officially making her a force to be reckoned with.

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The ScriptLab Review – Keep On Keepin On

Past midnight, 93-years-old jazz icon Clark Terry lays on a bed as he mumbles (no pun intended) his almost academic doodle tongue technique to twenty something-year-old pianist Justin Kauflin. Nasal cannula assisting with oxygen flow, the man who served as Miles Davis and Quincy Jones’ mentor can barely see out of his diabetes affected eyes. That’s fine however, his Virginia Beach-based protege can’t see either. It’s just another night in a years worth of practice in Terry’s Pine Bluff, Arkansas home. Though TC (as many call him) has become a legend over the years, his health has deteriorated to near non-functionality. On the other hand, Kauflin is a struggling musician who recently travelled back home with his parents as the tough New York jazz scene didn’t accommodate the lack of eyesight. In this father and son like relationship, both use their passion for jazz to persevere essentially impossible obstacles; a big theme in Al Hicks’ phenomenally inspirational directorial debut Keep On Keepin’ On.

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SoulTrain.com Profile: Boaz

Essentially creating a lane for successful hip-hop acts in Pittsburg, PA, Rostrum Records has cultivated the lucrative careers of Wiz Khalifa and Mac Miller. Next up to bat is Boaz Bey, or simply Boaz. Describing himself as a “fly brother, all around hustler and extraordinary musician,” the MC says growing up in the area of Larimer and watching hip-hop’s growth during the ‘90s gave him music aspirations. Helps that he came from a musically inclined family as well. “Music is something I’ve always been inspired by, and hip-hop was something I just gravitated to,” he adds. Boaz remembers his early fascination with Will Smith’s turn in The Fresh Prince of Bel-Air and House Party’s Kid & Play as forming his approach to relateability. “ I thought that was cool because it made me feel that regular people could have this ability,” says Boaz. “The raps they were giving off were that they were just everyday cats from the hood.”

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SoulTrain.com Q&A – Jurassic 5′s Chali 2na

Akil, Zaakir, Marc 7, Chali 2na, DJ Nu-Mark and Cut Chemist are back. Seven years has passed since the release of Jurassic 5’s fourth and “final” album, Feedback,sans Cut Chemist. As this year marks the 20th Anniversary of the group’s first project, the Los Angeles-based collective have  decided to go on a twenty-date tour in celebration which kicked off early this month. Alongside the tour and upcoming full-length documentary, the group, known for their hit single “Quality Control,” recently dropped “The Way We Do It.” Produced by the iconic Heavy D, the track is the first time all original six members of Jurassic 5 have recorded together in over a decade.

Chali 2na, smooth baritone spitter of Jurassic 5, speaks with SoulTrain.com about the reunion, Heavy D and whether or not to expect new material in the future.

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The Script Lab – Life Itself

2013 saw the untimely deaths of two very influential people in my life; my biological mother Mary Ann Holmes and legendary film critic Roger Ebert. Both losing their battle with cancer, similar fighting spirits and graceful acceptance of the end showed fearlessness in character. Those similar attributes have shaped me personally and creatively over the years. Besides sharing my mom’s DNA, her ability to see the world outside of her own lens forced me to double-check preconceived notions of the world I lived in. The same could be said for Ebert who thoroughly understood the language of cinema like no-other yet, could translate its tongue to the common man effortlessly. Makes total sense how he essentially became one of cinema’s most respected film reviewer of all time; something that Hoop Dreams director Steve James details in the documentary companion to Ebert’s 2011 memoir Life Itself. James properly creates a portrait of a man whose ballsy approach to film criticism shaped the industry.

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SoulTrain.com Profile – Adia

For a woman brought up in the church, St. Louis born and Chicago raised singer Aida didn’t take her Christian background seriously after traversing down south to Huntsville, Alabama around her sophomore year of high school. “I turned into the Tasmanian Devil because I didn’t want to be here at all,” she says. “I went to church a little bit but I felt like it wasn’t for me, and watching my parents go in and out of different churches had me feeling that church was fake.” Before then, the 22-year-old describes a time where she was in church five to six times a week as her mother and father focused on their various work as ministers of music. Growing up in the church, she found music to be a passion of hers. When Aida wasn’t enjoying the spiritual stylings of The Clark Sisters and Kim Burrell, she began to appreciate more secular artists ranging from Destiny’s Child to Brandy.

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The Script Lab – A Band Called Death

There wasn’t a sound that represented black music and its crossover marketability more than 1960′s Motown. Detroit’s crowned jewel of course gave birth to The Jacksons, Marvin Gaye and Diana Ross & The Supremes among others who went on to break various racial and commercial boundaries individually. As its era highpoint ended, the label had cemented its legacy as one of pop’s biggest influences from then on. Of course, the time period also brought forth the world domination of The Beatles. Finding inspiration from both sounds would be punk rock’s best kept secret; not discovered until several decades later.

That band would simply be named Death.

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